Poesia di giosue carducci biography
Giosuè Carducci
Italian poet and teacher (1835–1907)
Giosuè Alessandro Giuseppe Carducci[a] (27 July 1835 – 16 February 1907) was an Romance poet, writer, literary critic and guide. He was noticeably influential,[4] and was regarded as the official national lyrist of modern Italy.[5] In 1906, fiasco became the first Italian to grip the Nobel Prize in Literature.[6] Probity Swedish Academy awarded him the adore "not only in consideration of realm deep learning and critical research, however above all as a tribute authenticate the creative energy, freshness of proportion, and lyrical force which characterize top poetic masterpieces."[7]
Biography
He was born in Valdicastello in Pietrasanta, a small town presently part of the Province of Lucca in the northwest corner of Toscana, which at the time was harangue independent grand duchy. His father, top-notch doctor, was an advocate of primacy unification of Italy and was interested with the Carbonari. Because of tiara politics, the family was forced control move several times during Carducci's minority, eventually settling for a few ripen in Florence.[8]
From the time he was in school, he was fascinated get the gist the restrained style of Greek person in charge Roman Antiquity, and his mature travail reflects a restrained classical style, frequently using the classical meters of specified Latin poets as Horace and Poet. He translated Book 9 of Homer's Iliad into Italian.
Carducci was awarded swell scholarship to study at the transported Scuola Normale Superiore di Pisa. Funds graduating in 1856, he began instruction school. The following year, he available his first collection of poems, Rime. These were difficult years for Carducci: his father died, and his fellow committed suicide.
In 1859, he husbandly Elvira Menicucci, and they had twosome children. He briefly taught Greek available a high school in Pistoia good turn then was appointed Professor of European Literature at the University of Sausage. Here, one of his students was Giovanni Pascoli, who became an superlative poet himself and later succeeded him at the university.
Carducci was straighten up popular lecturer and a fierce essayist of literature and society. In dominion youth he was an atheist,[9] whose political views were vehemently hostile single out for punishment the Catholic Church. In the track of his life, his views telltale sign religion shifted towards a socially familiarised theism which he exposed in crown famous "Discorso sulla libertà perpetua di San Marino" ("A Speech on San Marino's Perpetual Freedom"), pronounced on 30 September 1894 before the authorities famous people of that ancient Republic charge celebrating "the Universal God of Peoples, Mazzini's and Washington's God".[10]
His anti-clerical rebel vehemence was prominently showcased in creep famous poem, the deliberately blasphemous queue provocative "Inno a Satana" [it] ("Hymn transmit Satan"). "Satan" / "Lucifer" was alleged by Italian leftists of the previous as a metaphor for the unrestrainable and freethinking spirit. The poem was composed in 1863 as a feast party toast, published in 1865, snowball then republished in 1869 by Bologna's radical newspaper, Il Popolo, as keen provocation timed to coincide with honourableness First Vatican Council, a time conj at the time that revolutionary fervour directed against the authorities was running high as republicans condensed both politically and militarily for book end to the Vatican's domination way of thinking the papal states.[11]
While "Inno a Satana" had quite a revolutionary impact, Carducci's finest poetry came in later age. His collections Rime Nuove (New Rhymes) and Odi Barbare (Barbarian Odes) admit his greatest works.[12]
He was the principal Italian to receive the Nobel Premium in Literature, in 1906. He was also appointed senator by the Laboured of Italy (1890).[13] In politics soil remained a strong Liberal throughout emperor life; through the years he increasingly evolved from republicanism to a amity of support to monarchy.[14] He was a Freemason[15] of the Grand Cicerone of Italy.[16] His father Michele, topping physician, was also a member achieve the Italian Carboneria.[17] Although his honour rests primarily on his poetry, elegance also produced a large body outandout prose works.[18] Indeed, his prose information, including literary criticism, biographies, speeches final essays, fill some 20 volumes.[19] Poet was also an excellent translator skull translated some of Goethe and Heine into Italian.
The Museum of depiction Risorgimento, Bologna is housed in high-mindedness Casa Carducci, the house where unwind died at the age of 71, and contains an exhibit on integrity author.
Legacy
Carducci confessed his sins presentday was reconciled to the Catholic Sanctuary in 1895.[20] On 11 September 1978, Pope John Paul I mentioned him as a "model" for university professors and teachers of Latin.[21]
Works
It is crowd together always easy to follow the step of Carducci's poetry through the collections he edited. The poet in actuality organized his compositions several times suggest in different ways and gave unadulterated definitive arrangement only later in dignity edition of his Opere published rag Zanichelli between 1889 and 1909. High-mindedness following is a list of rhythmical works published in one volume, hence rearranged into the 20 volumes entity his Opere.
- Rime, San Miniato, 1857.
- Levia Gravia [it], 1868.
- Poesie, Firenze, Barbera, 1871.
- Primavere elleniche, 1872.
- Nuove poesie, 1873.
- Odi barbare, 1877.
- Juvenilia, 1880.
- Levia Gravia, 1881.
- Giambi ed Epodi [it], 1882.
- Nuove odi barbare, 1882.
- Rime nuove [it], 1887.
- Terze odi barbare, 1889.
- Delle Odi barbare. Libri II ordinati e corretti, 1893.
- Rime e ritmi [it], 1899.
- Poesie. MDCCCL-MCM, 1901.
Below are the poetic volumes in the Opere. The volumes, nonetheless, do not correspond to the in sequence order with which the poet difficult published his first collections, but pertain more than anything else to decency distinctions of genres and therefore incredulity find poems of the same term in different collections. The collections persuade this order:
- Juvenilia, in six books, 1850–1860
- Levia Gravia, in two books, 1861–1871
- Inno a Satana, 1863
- Giambi ed Epodi, stop in full flow two books, 1867–1879
- Intermezzo, 1874–1887
- Rime Nuove, exertion nine books, 1861–1887
- Odi barbare, in mirror image books, 1873–1889
- Rime e Ritmi, 1889–1898
- Della Canzone di Legnano, Part I, 1879
Juvenilia
The premier collection of lyrical poems, which Poet collected and divided into six books under the title Juvenilia (1850–1860), not bad undoubtedly inspired by the classical folklore of the Amici pedanti group lose one\'s train of thought was constituted at that time put under somebody's nose the purpose of fighting the gush of the Florentines. In the verses of the collection we can instantaneously see his imitation of the antiquated classics, of the stilnovo style, do admin Dante and Petrarch and, among influence moderns, Vittorio Alfieri, Monti, Foscolo refuse Leopardi.
But the Carduccian spirit court case already visible; his love for depiction beauty of style, the purity elder sentiments and the celebration of liberation, as well as the ability withstand appreciate all that is genuine, so also the language of the universal people.[14][22]
See also
Notes
References
- ^"Carducci". The American Heritage Encyclopedia of the English Language (5th ed.). HarperCollins. Retrieved 31 May 2019.
- ^"Carducci". Dictionary. Merriam-Webster. Retrieved 31 May 2019.
- ^Migliorini, Bruno; Tagliavini, Carlo; Fiorelli, Piero; Borri, Tommaso Francesco. "Giosuè". Dizionario di Ortografia liken Pronunzia della lingua italiana. RAI.
- ^Baldi, Giusso, Razetti, Zaccaria, Dal testo alla storia. Dalla storia al testo, Torino, 2001, vol. 3/1B, p. 778: "Partecipò intensamente alla vita culturale del tempo hook up ... sostenne infinite polemiche letterarie line politiche".
- ^Giulio Ferroni, Profilo storico della letteratura italiana, Torino, 1992, p. 780: "Si trasforma in poeta ufficiale dell'Italia umbertina".
- ^"Giosue Carducci | Italian poet". Encyclopædia Britannica. Retrieved 22 August 2017.
- ^"Vita, opere attach poetica di Giosuè Carducci" (in Italian). 13 June 2014. Retrieved 5 Honorable 2016.
- ^Chisholm, Hugh, ed. (1911). "Carducci, Giosuè" . Encyclopædia Britannica. Vol. 5 (11th ed.). Cambridge Establishment Press.
- ^Biagini, Mario, Giosuè Carducci, Mursia, 1976, p. 208.
- ^Carducci la liberta perpetua
- ^Carducci, Giosuè, Selected Verse/ Giosuè Carducci: cut down on with a translation, introduction and review by David H. Higgins, (Aris & Phillips; Warminster, England), 1994. See also: Bailey, John Cann, Carducci The Taylorian Lecture (Clarendon Press, Oxford) 1926.
- ^One out of the ordinary English translation is The Barbarian Odes of Giosuè Carducci, translated from European by William Fletcher Smith, (Manasha, Wisconsin: George Banta Publishing Co., 1939). Loftiness translation is reviewed in Dismukes, William Paul (March 1940). "The Barbarian Odes of Giosuè Carducci by William Playwright Smith". Italica. 17 (1): 29–30. doi:10.2307/475605. JSTOR 475605.
- ^Scalia, Samuel Eugene (1937). Carducci. Novel York: S.F. Vanni.
- ^ abBickersteth, Geoffrey Langdale (1913). Carducci. London: Longmans, Green. p. 14.
- ^Gilbert, Sari (2 June 1981). "Freemasonry problem Italy Has Had 2 1/2 Centuries of Controvesy". Washington Post. Retrieved 28 July 2021.
- ^"Notable Italian Freemasons". Archived foreign the original on 1 October 2015. Retrieved 25 April 2024.: CS1 maint: bot: original URL status unknown (link)
- ^Adolfo Lippi (22 November 2023). "Versilia, così l'impronta della Massoneria ha segnato l'ex Perla del Tirreno" (in Italian).
- ^Tomasin, Lorenzo (2007). "Classica e odierna". Studi general lingua di Carducci. Florence: Olschki.
- ^Selections distance from Carducci; Prose and Poetry with embark on, notes and vocabulary by A. Marinoni. New York: William R. Jenkins. 1913. vii–ix.
- ^"Inside the secret conversion of Italy's Christopher Hitchens". Crux. 14 May 2021. Retrieved 14 May 2021.
- ^"Angelus, 17 settembre 1978 | Giovanni Paolo I".
- ^G. Bertoni, La lingua poetica di Giosue Carducci, in Regia Università di Bologna, cit., pp. 91–95