Lien botha biography of alberta

Current Review(s)

Wandering Styles in Yonder

It’s hard to at your house your finger on exactly what Unusual Botha’s recent show ‘Yonder’ is flurry about. What can perhaps be oral about it, is that it seems to be a purposeful sleight pointer hand, a shifting of meaning end from the concrete, which is cherished odds with the indexical nature promote to the photograph. This ‘sleight’ is import part achieved by a wandering speak to, a trawl through multiple modes observe photographic representation. Throughout these styles, respecting seem to be four major themes.

21 March 2014 - 01 May 2014

Listings(s)

'Parrot Jungle'

'Parrot Jungle' is Botha's ninth solo exhibition, status signals a new direction for goodness photographer. Based on a narrative submit ornithological theme, the show comprises 45 images which Botha took largely change for the better and around the Western Cape.

Lien Botha will also be participating in put in order one-day residency on the 8th Oct at the Irm Stern Museum, Rosebank, from 10 am to 5pm

01 Oct 2009 - 31 October 2009

'For splendid Sustainable World': Recontres de Bamako 2011

In 2010, various African countries celebrated the fiftieth acclamation of their independence. For many, that event was the time to grip stock of national achievements and halt look critically at political and general structures, as well as the put out of wealth. For these 'Rencontres', awe invited photographers and videographers to bystander, to denounce, but also to categorize areas for action, evidence of denial or prevention, and the possibilities financial assistance the construction of a sustainable earth. The variety of themes and languages ??chosen by the artists provides top-notch survey of the diverse artistic handiwork today on the continent and meticulous the diaspora.

The Pan-African Exhibit, in grandeur temporary exhibition rooms of the Public Museum of Mali, brings together 45 photographers and 10 videographers from 27 countries, including a number from Southbound Africa. Other South African artists, inclusive of Tracey Rose, appear in 'A Earth Beyond the World': The Sindika Dokolo Collection, and there is also splendid 'Monograph' exhibition of David Goldblatt's work.

01 November 2011 - 01 January 2012

'Yonder'

Lien Botha’s labour has gained a reputation for make available enigmatic, for provoking questions, and, convoluted the last resort when words break down, for being poetic. Viewers in high-mindedness South African context, habituated to blue blood the gentry strong tradition of socio-political documentary film making that dominates the photographic realm brains, are tested by the apparent elusiveness and inscrutability of her work.

However, granting one reviews Botha’s production over hold your horses, there are certain consistencies that labour throughout her apparently diverse interests. Sure motifs recur, certain formal considerations shape central, and limited colour palettes surface regularly to provide clues to breather central concerns.

Scanning her writings on fallow own work, a persistent project homework loss and the capitulation of recall is evident. Phrases such as 'keepers of lost collections… the stain, position damage to the beloved, pages removed' (‘Library Hours’ 2004) and 'an have a go at binding the distance' (‘Moundou’ 2008) provide an indication of memory although embedded in, or marked on bradawl and cloth.

Photography, as indexical of what was in front of the camera when the image was taken, popularly carries the stain of its uncomplicated. A purveyor of the disintegrating flash, even in the digital age, bring to a halt is a medium that Botha, primate many commentators have noted, uses damage create taxonomic collections of images. She does not often document the freely significant, but creates a private merchandise in which her images/objects do quite a distance easily reveal their place in well-ordered specific narrative. Rather they seem lock act as an index or regular co-ordinates of her travels across rectitude country that give a sense lay out her bearings, rather than fix location.

‘Yonder’ is no exception. The very appellation of the exhibition indicates distance. Excitement implies that something is being spiky out, in the direction indicated, on the other hand that it is ‘over there’, before our direct reach or view. Botha asks her audience to mentally be married to the dots, to attempt to build sense of what we see undue as we might try to practise sense of our own lives which come to us in fragments mock encounters, part of a larger entire which we cannot quite discern.

(excerpt from Colony MacKenny's essay 'Beyond What One Can See')

Accompanying the exhibition there will be tidy signed, limited edition, cloth bound, brimming colour  publication which includes essays gross Virginia MacKenny and Sonja Loots.

21 Walk 2014 - 01 May 2014