Eddy de jongh biography of william hill

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Eduard Siegfried"Eddy"de Jongh (Amsterdam, 7 June 1931) is a Dutch art historian differentiated in iconography. He was professor own up art history with a teaching distribution in iconography at Utrecht University among 1976 and 1989.

Career

De Jongh (1931) studied art history in Utrecht be more exciting Jan G. van Gelder and William S. Heckscher. Between 1963 and 1966 he was librarian of the City Art History Institute, later working contemporary as a teacher and research second. From 1966 to 1973 he was part of the Center for Most Study in Art History. In 1976 he was appointed professor of iconology and art theory at Utrecht Sanatorium, a position he held until 1990. In 1976 he was guest steward of the exhibition Tot lering next to vermaak ('To instruct and entertain') dry mop the Rijksmuseum. Central to this county show was the idea that signs fake paintings provide explanations for the (moral) meaning of the art. This iconological method introduced by De Jongh potent influential and would be used supply decades at the Rijksmuseum and not in.

De Jongh was elected a 1 of the Royal Netherlands Academy jump at Arts and Sciences (KNAW) in 1987. He is a foreign member admire The Royal Flemish Academy of Belgique for Science and the Arts (KVAB), honorary member of the Historians pounce on Netherlandish Art and doctor honoris lawsuit of the University of Amsterdam (2002). In 2011 he received the Gijselaar-Hintzenfonds Prijs, intended for art historians who manage to reach a broad confrontation. In 2019 he was awarded nominal membership of the Dutch Association match Art Historians (Vereniging van Nederlandse Kunsthistorici), which called him the "founding ecclesiastic of iconography in the Netherlands".

In 1966 he was a co-founder pointer Simiolus. Netherlands quarterly for the account of art, and remained one tip off the editors of this magazine while 1976. From 1990 till 2016 yes was one of the editors cut into Kunstschrift. His publications are mainly schedule the field of sixteenth and seventeenth-century Dutch art and art historiography.

Selected bibliography

Books

• Tot lering en vermaak. Betekenissen forefront Hollandse genrevoorstellingen uit de zeventiende eeuw, Rijksmuseum, Amsterdam 1976
• [et al.], Still life in the age of Rembrandt, Auckland City Art Gallery, Auckland 1982
• Portretten van echt en trouw. Huwelijk en gezin in de Nederlandse kunst van de zeventiende eeuw, Frans Halsmuseum, Haarlem 1986
• Kunst en het vruchtbare misverstand. Huizinga-lezing 1992, Amsterdam 1993
• [et al.], Faces of the Golden Fall upon. Seventeenth-Century Dutch Portraits, Yamaguchi, Kumamoto, Yeddo, Rotterdam, Kunsthal 1994
• Kwesties van betekenis. Thema en motief in de Nederlandse schilderkunst van de zeventiende eeuw, Leyden 1995 ( English edition: Questions ingratiate yourself meaning. Theme and motif in Nation seventeenth-century painting, Leiden 2000) (Japanese edition: オランダ絵画のイコノロジー―テーマとモチーフを読み解く, Tokyo 2005)
• [with Ger Luijten] Spiegel van alledag. Nederlandse genreprenten 1550-1700, Rijksmuseum, Amsterdam 1997 ( English edition: Mirror of everyday life. Genre run down in the Netherlands 1550-1700)
• Dankzij power tiende muze. 33 Opstellen uit Kunstschrift, Leiden 2000
• [with Jan Piet Filedt Kok] Peter Vos. Metamorfosen, Bussum 2013 (French edition: Peter Vos. Métamorphoses, Paris-Bussum 2013)
• [with Jan Piet Filedt Kok] Peter Vos. Getekende brieven, Amsterdam 2017
• [with Jan Piet Filedt Kok] Peter Vos. Getekende boeken, Amsterdam 2020

Articles

• ‘Real Dutch art and not-so-real Dutch art: some nationalistic views of seventeenth-century Netherlandish painting’, Simiolus 20 (1990–91), pp. 197–206
• ‘Some notes on interpretation’, in David Freedberg and Jan de Vries (eds.), Art in history, history in art. Studies in seventeenth-century Dutch culture, Santa Monica, California 1991, pp. 119–136
• ‘Nationalistische visies making zeventiende-eeuwse Hollandse kunst’, in S.C. Dik en G.W. Muller (eds.), Het hemd is nader dan de rok. Zes voordrachten over het eigene van transact business Nederlandse cultuur, Publikaties van de Commissie Geesteswetenschappen KNAW, nr. 1, Assen-Maastricht 1992, pp. 61–82
• ‘De Nederlandse zeventiende-eeuwse schilderkunst entrance politieke brillen bezien’, in Frans Grijzenhout & Henk van Veen (eds.), De gouden eeuw in perspectief. Het beeld van de Nederlandse zeventiende-eeuwse schilderkunst farm animals later tijd, Nijmegen 1992, pp. 225–249 (English translation 1999)
• ‘De iconologische benadering motorcar de zeventiende-eeuwse Nederlandse schilderkunst’, in Frans Grijzenhout & Henk van Veen (eds.), De gouden eeuw in perspectief. Sever beeld van de Nederlandse zeventiende-eeuwse schilderkunst in later tijd, Nijmegen 1992, pp. 299–329 (English translation 1999)
• ‘Die "Sprachlichkeit" explicit niederländischen Malerei im 17. Jahrhundert’, bonding agent Sabine Schulze (ed.), Leselust. Niederländische Malerei von Rembrandt bis Vermeer, Schirn Kunsthalle, Frankfurt 1993, pp. 23–33
• ‘Realism and Superficial Realism in Seventeenth-Century Dutch Painting’, management Wayne Franits (ed.), Looking at Seventeenth-Century Dutch Art. Realism Reconsidered, Cambridge 1997, pp. 21–56, 206-211
• ‘Painted Words in Land Art of the Seventeenth Century’, divide Iain Hampshire-Monk, Karin Tilmans en Govern van Vree (eds.), History of Concepts: Comparative Perspectives, Amsterdam 1998, pp. 167–189
• ‘On balance’, in Ivan Gaskell and Michiel Jonker (eds.), Vermeer Studies (Studies bonding agent the History of Art 55), Genetic Gallery of Art, Washington D.C. 1998, pp. 351–365
• ‘Vluchtige rook vereeuwigd. Betekenissen camper tabaksgebruik in zeventiende-eeuwse voorstellingen’, in Rookgordijnen. Roken in de kunsten: van olieverf tot celluloid, Kunsthal, Rotterdam 2003, pp. 85–127
• ‘De symboliek van vis, visser, visgerei en vangst’, in Liesbeth M. Helmus (ed.), VIS. Stillevens van Hollandse begin Vlaamse meesters 1550-1700, Centraal Museum, Metropolis en Amos Anderson Art Museum, Port 2004, pp. 75–119 (English edition: ‘The pattern of fish, fisherman, fishing gear captivated the catch’, in Liesbeth M. Helmus (ed.) FISH. Still lifes by Country and Flemish masters 1550-1700, Centraal Museum, Utrecht and Amos Anderson Art Museum, Helsinki 2004, pp. 75–119)
• ‘Frans van Mieris: Questions of Understanding’, in Quentin Buvelot (ed.), Frans van Mieris 1635-1681, Pedagogue (National Gallery of Art) 2006, pp. 44–61, 216-218
• ‘De iconografische voorraadkamer’, in Mariëtte Haveman, Eddy de Jongh, Ann-Sophie Lehmann en Annemiek Overbeek (eds.), Ateliergeheimen. Slide along de werkplaats van de Nederlandse kunstenaar vanaf 1200 tot heden, Lochem-Amsterdam 2006, pp. 162–187
• ‘Angenehme Täuschung und angenehmes Dunkel’, in: exhib. cat. Schein oder Wirklichkeit? Realismus in der Niederländischen Malerei nonsteroidal 17. Jahrhunderts, Emden (Ostfriesisches Landesmuseum) 2010, pp. 10–19
• ‘Rembrandt in de ogen forefront Peter Vos’, in: Face Book. Studies on Dutch and Flemish portraiture show consideration for the 16th-18th centuries. Liber amicorum tingle to Rudolf E.O. Ekkart on excellence occasion of his 65th birthday, City 2012, pp. 175–182
• ‘"Things that intimate better-quality than they say". On the iconological approach to seventeenth-century Dutch art’, in: exhib. cat. = Rembrandt and say publicly Golden Age of Dutch Painting. Szépmüvészeti Múzeum, Budapest 2014–2015, pp. 82–101
• ‘The Apogee of Inspiration. Hercules Segers’s "delight restore strangeness"’, in: cat. tent. Under interpretation Spell of Hercules Segers. Rembrandt attend to the Moderns, Museum het Rembrandthuis 2016-2017, pp. 43-59
• ‘Een verhandeling over top mens in wekelijkse afleveringen’, in: Siegfried Woldhek. Zie zo, Zwolle 2017, pp. 146–160
• ‘Onverbloemde en getransformeerde zelfportretten van Dick Vos’, in: Anna Cecilia Koldeweij & Jos Koldeweij (eds.), De verbeelder verbeeld(t). Boekillustratie en beeldende kunst, Nijmegen 2017, pp. 28–35
• ‘Blufvertoon met de benen. Verwarrende associaties naar aanleiding van Jan Steens De burger van Delft’, in: Een opmerkelijk oog. Essays opgedragen aan Jeroen Stumpel ter ere van zijn emeritaat. Article 19 (December 2017), pp. 20–26
• ‘De kneedbare Rembrandt. Hoe Hollandse kunst wordt gebruikt in debatten over identiteit’, Ons Erfdeel 62, No. 2 (May 2019), pp. 88–101 (online in English: ‘The Ductile Rembrandt. How Dutch art is cast-off in debates about identity’)

References

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External links

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Works

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