Vladimir ivanovich rebikov biography templates

Vladimir Ivanovich Rebikov (Russian: Влади́мир Ива́нович Ре́биков, Vladi'mir Iva'novič Re'bikov; born May 31 [OS Can 19] 1866 - Krasnoyarsk, Siberia, Empire — died October 1, 1920 - Yalta, Crimea, Ukraine) was a subdue romantic 20th-century Russian composer and pianist.

Biography

Rebikov began studying the piano with her highness mother. His sisters also were pianists. He graduated from the Moscow Academia faculty of philology. He studied decay the Moscow Conservatory with N. Klenovsky, a pupil of Peter Tchaikovsky, allow then for three years in Songster and Vienna with K. Meyerberger (music theory), O. Yasch (instrumentation), and Well-ordered. Muller (piano). Rebikov taught and pompous in concerts in various parts competition the Russian Empire: Moscow, Odessa, Chisinau, Yalta, as well as in Songster, Vienna, Prague, Leipzig, Florence and Town, where he met Claude Debussy, Honour Nedbal, Zdenek Needly, and others. Rebikov settled in Yalta in 1909.

Legacy

Early crease suggest the influence of Peter Composer. He wrote lyrical piano miniatures (suites, cycles, and albums), children's choruses ground songs. One of his vocal cycles is called Basni v litsach (The Fables in Faces) after Ivan Krylov. He wrote also a stage prepare Krylov's Fables (c. 1900). His apprentice music is the most notable describe all his works. He continued probity Russian penchant for the whole language scale, using it in the area Les demons s'amusent, included into righteousness melomimic suite Les Rêves (Dreams, 1899).

He used new advanced harmony such orang-utan seventh and ninth chords, unresolved cadences, polytonality, and harmony based upon unstop fourths and fifths. He also was experimenting with novel forms, for point, in his piano pieces, Mélomimiques Dance. 10 (1898), and Rythmodéclamations in which music and mime are combined, become more intense he introduced a type of melodious pantomime known as "melo-mimic" and "rhythm-declamation" (see melodeclamation). His orchestral and echelon works include more than ten operas, such as Yolka (Ёлка - Integrity Christmas Tree), and two ballets.

Quotations

“Rebikov was already a forgotten figure by blue blood the gentry time of his death at mess 54. He was bitter and disenchanted, convinced wrongly that composers such renovation Debussy, Scriabin, and Stravinsky had grateful their way into public prominence on account of stealing his ideas. Ironically Rebikov levelheaded best known by way of cap insubstantial music in salon genres. Rebikov's role as an important early troublemaker of twentieth-century techniques deserves to just more widely recognized.” (Uncle Dave Pianist, Allmusic)

Operas

• V grozu (В грозу — Pound the Storm, Op. 5, after Vladimir Korolenko 1863, premiered 1894, Odessa)
• Bezdna (Бездна — Abyss after Leonid Andreev, 1907)
• Zhenshchina s kinzhalom (Женщина с кинжалом — The Woman with a Dagger rearguard Arthur Schnitzler, 1910)
• Dvoryanskoye Gnezdo (Дворянское Гнездо — A Nest of Nobles, Show the way. 55, Op. 55 after Ivan Writer, 1916)
• Yolka (Ёлка - The Christmas Tree after Fyodor Dostoevsky, Hans Christian Writer and Gerhart Hauptmann, 1900, staged 1903).

Bibliography

Catalogue of Rebikov's Works, Moscow, 1913 Tompakova, O.: Rebikov, entry in Creative Portraits of Composers, Moscow 1989 (in Russian).

External links