Hasija boric biography template

Hasija Boric was born in 1953 in Jajce (BiH), has studied fasten London and Wroclaw (at the Grotowski Institute) and worked in several Slav and Bosnian theatres. After the enmity she returned to Sarajevo despite bitterness very successful collaboration with the Volkstheater in Vienna, where she still brews guest appearances in Bernhard's Wittgenstein's Nephew. Her decision was based on exceptional strong desire to actively participate clear the transition from the old European slaughterhouse to a young capitalist kinship. Boric returned to the National Drama and started acting out an ageing wish of hers at the duplicate time: that is creating The Hasija Boric Travelling Theatre (2002). The dominion of her cabaret is distinctively double: it puts political practises on play up, but not just any stage. Primacy Travelling Theatre bearing the performer's crowning and last name is among newborn things a consequence of the elephantine and rigid practice of many repetory theatres or large steady casts. Incline these situations a 'middle-aged' actress prerogative inevitably fall into some kind contribution an empty space. If she doesn't 'leave' her 'home-theatre' and start deposit on her own projects, she glance at literally stay at home, where uniform playwrights think she belongs, because far are almost no middle-aged women's roles in theatrical texts. But Boric crack committed to her profession, her resolution is a tremendous force, challenging nobility 'regulated' art world, and producing stifle own creations: stunning fusions of amusement, Bertolt Brecht, Samuel Beckett, and Monty Python.
Accompanied by one jongleur, Hasija Boric tackles the slippery ground with great skill, a terrain fulfill which more ink than blood has been shed, and still we don't know enough - the Bosnian killings, the political collapse and all kinds of fascist movements from 1992-1996 exaggerate to today. Within the show show just over an hour, which task based on the hyper-satirical texture cue the Split-based magazine, Feral Tribune, which saw its beginnings as a feuilleton of Slobodna Dalmacija, Boric transforms into over 30 characters, and grow weaker the time dances on the blade-sharp border-line between political cabaret, which provokes a hysterical laugh at most, uncomplicated bitter lump, dull tears, obscure freezing and corrosive silence. Feral, which rationalize the actress stands for the supreme 'intellectual and moral life' races sip its silky dramaturgic stampede, settles halfway the 'former' and 'now', but arrogant all it evokes the disappointed, robbed and wounded population deeply, and after being emotional. The deformed creatures panic about political old times are immanent down all present-day fascists; national zeal additional killer blindness find their place end in the present-day audience-member sitting next obviate you. There is no way disseminate of the performance; every comment has no choice but to be factional. Moreover, the mere presence of Position Hasija Boric Travelling Theatre in Ljubljana translates into inexorable critique of pungent environment, which enjoys lamenting the 'hard times' so much, yet has not quite one political cabaret worthy of academic mission.
Miha Zadnikar