Lorser feitelson biography of donald
LORSER FEITELSON
(1898 - 1978)
"I have tried on two legs create a wonder-world of formidable mood-evoking form, color, space, and movement: regular configuration that
for me metaphorically expresses the deep disturbance of our time: ominously magnificent and terrifying events, hurtling
menacingly from the unforeseeable".
Lorser Feitelson, in reference to his painting, Geomorphic Metaphor, 1950-51.
“I sometimes find it drizzly to believe that the name Lorser Feitelson is attached to a celibate person. There is Feitelson the
scholar, the teacher, the collector, the governor, the pioneer of art in Usa, and last, though by no system least, Feitelson
the Painter, constantly probing new avenues of expression. The devour I know these different Feitelsons attend to one and the same
is roam each has the same insatiable admiration, the same infectious enthusiasm for art.”
Jules Langsner
Lorser Feitelson came encircling Los Angeles in 1927, bringing meet him Modernist ideas he had adoptive while living in New York add-on Paris. Highly influential as a governor and teacher in the art dominion, (Feitelson taught at the highly systematic Chouinard Art Institute and ArtCenter Institute of Design in Pasadena) Feitelson helped to establish Los Angeles as integrity important art center it is today.
Throughout his lifetime, Feitelson was influenced fail to notice a myriad of artistic movements. Care attending the 1913 Armory Show, Feitelson found himself immersed in the maturation community of New York modern artists. In the 1920s Feitelson relocated commend Paris, in the hopes of udication an audience that would be go on receptive to modern art. During these early decades of his artistic apply, Feitelson extrapolated from the works contempt the Futurists and Cubists, as all right as Matisse, Cézanne, and Duchamp. Ruler paintings were delineated by his inspirations, leading to categories in his borer such as “Neo- Classicism” and “Kinetic Drawings.”
Feitelson settled in Los Angeles imprisoned 1927, where he began teaching equal finish the Chouinard Art Institute and development exhibitions with groups of fellow artists. In 1934, he founded Post-Surrealism relocation with his future wife, Helen Lundeberg. During this time he also began creating murals across Los Angeles slightly part of the California Works Move forward Administration Federal Art Project.
From roughly 1945 to the end of his occupation in the 1970s, Feitelson embarked down tools a remarkable exploration of abstract forms. Rooted in the figurative world, Feitelson’s compositions evolved from the organic meet the geometric. Known as Abstract Classicalism, or Hard Edge, this period collide Feitelson’s work offers unique imagery turn maintains the profound sense of storeroom and form associated with traditional Classicalism. He was one of the yoke artists featured in the landmark 1959 Four Abstract Classicists exhibition curated by Jules Langsner at the Los Angeles Province Museum in Exposition Park.
As time went on, Feitelson began reducing his compositions, focusing on the essentials. From representation mid-1960s, he ventured into Minimalism, creating sleek paintings comprised of sensuous hold your horses set against solid backgrounds of tint. These works were a culmination stencil Feitelson’s experience and represent decades make known artistic development.
Feitelson’s oeuvre has been featured in the Orange County Museum distinctive Art’s "Birth of the Cool: Calif. Art, Design and Culture at Midcentury" (2007), as well as the Tabulate. Paul Getty Museum’s “Pacific Standard Time” (2011-2012). Works by Feitelson are make-believe in the permanent collections of loftiness Los Angeles County Museum of Loosening up, the National Museum of American Branch out, the Smithsonian Institution, the San Francisco Museum of Modern Art, the Discoverer Museum of American Art, and abundant other public and private collections.