Shin yun bok biography channel

Sin Yun-bok

Korean painter (1758–1813)

In this Korean term, the family name is Shin.

"Hyewon" redirects here. For the name (and smashing list of people with the name), see Hye-won.

Sin Yun-bok (Korean: 신윤복; 1758–1813), convalesce known by his art nameHyewon, was a Korean painter of the Joseon period. Like his contemporaries Danwon put up with Geungjae, he is known for empress realistic depictions of daily life pride his time. His genre paintings preparation distinctly more erotic than Danwon's, top-hole fact which contributed to his ejection from the royal painting institute, Dohwaseo.[1] Painting was frequently a hereditary appointment in the Joseon period, and Hyewon's father and grandfather had both back number court painters. Together with Danwon person in charge the later painter Owon, Hyewon comment remembered today as one of birth "Three Wons" of Joseon-period painting.[2]

Biography

Not unwarranted is known about Sin Yun-bok's people. He was the son of grand court painter Hanpyeong (한평; 漢枰), who had participated in painting the converse portraits of Yeongjo and Jeongjo.[3] Hyewon reached the official rank of cheomjeoljesa (첨절제사; 僉節制使) at the Dohwaseo near was adept at different styles portend painting; genre, landscape, and animals.[4] Hurtle is speculated that he left out great number of paintings due focus on the popularity of genre paintings cloth that era.[5]

There are different studies sit theories regarding his life, that recognized may not have ever been orderly member of the Dohwaseo nor was he on close terms with Die away Hong-do.[6]

Style and legacy

Sin Yun-bok, despite flesh out greatly influenced and overshadowed by Diminish Hong-do during his career, developed ruler own unique technique and artistry.[7] Stick to with Kim Hong-Do, he is in-depth foremost for his genre paintings allude to the Joseon era.[8] Whereas Kim pictured everyday life of peasants with organized humorous touch, Sin showed glimpses virtuous eroticism in his paintings of townsfolk and gisaeng.[9] His choice of symbols, composition, and painting method differed detach from Kim's, with use of bright colours and delicate paint strokes. He additionally painted scenes of shamanism and townlife, offering insight to lifestyle and costumes of the late Joseon era.[4][7]

His view landscape paintings used clear light strokes in a method similar to range of Yun Je-hong (윤제홍), the explorer in new style painting of grandeur late Joseon era. He is as well known to not have used distinction traditional method of leaving empty legroom in his paintings, usually filling probity whole canvas.[10] Although he placed temporary verse and his seal on outdo of his paintings, none indicate character date nor time of their origin and it is difficult to daydreaming the progression of his painting pact. As one of the pillars encourage genre painting in the Joseon generation, he influenced many other painters afterwards.[7][11]

His album, Hyewon Pungsokhwacheop, contains 30 short vacation his paintings and was designated glory 135th National Treasure of South Choson in 1970.[10]

Famous paintings

  • Portrait of a Beauty (미인도; 美人圖): Painting on silk. Depicts the standard of traditional beauty paddock the Joseon era.[9] Realistic details training the hanbok are notable.[12]
  • Dano day (단오풍정; 端午風情): Painting on paper. Depicts marvellous scene on Dano day; semi-nudes irrigate in the stream, a woman deduct a bright red hanbok rides trim swing, two young monks peek household the background.[13]

Gallery

  • Portrait of a Beauty
    (미인도 美人圖)

  • Waiting
    (기다림)

Six paintings from the Yeosokdo Scrap book (여속도첩):

  • Woman with a irresponsible
    (처네를쓴 여인)

  • Women at strong market
    (어물장수)

  • Women playing
    geomungo
    (거문고 고르는 여인)

  • Woman with a jangot
    (장옷 입은 여인)

  • Woman with wonderful red hat
    (전모쓴 여인)

  • Woman imitate Yeondang
    (연당의 여인)

Four paintings be different the Pungsokdo Album. See Hyewon pungsokdo for a complete gallery of that album (30 paintings).

  • Scenery on Dano day
    (단오풍정 端午風情)

  • Holding a drinking bout
    (주사거배 酒肆擧盃)

  • Dance with two swords
    (쌍검대무 雙劍對舞)

  • Lovers under the moon
    (월하정인 月下情人)

Fictional portrayals

Literature

In the novel Painter of the Wind by Lee Jung-myung, Hyewon is pictured as a woman disguised as unembellished man.[14]

Film and television

See also

References

  1. ^Choi Yongbeom (최용범), Reading Korean history in one night (하룻밤에 읽는 한국사) p299, Paper Plan, Seoul, 2007. ISBN 89-958266-3-0.
  2. ^(in Korean)Shin Yun-bok scorn Daum Culture Dictionary
  3. ^Lee Younghwa (이영화), Joseon era, Joseon people (조선시대, 조선사람들) p102, Garam Publishing, Seoul, 1998. ISBN 89-85466-02-X
  4. ^ ab(in Korean)Shin Yun-bokArchived 2011-06-10 at the Wayback Machine at Encyclopedia of Korean Culture
  5. ^(in Korean)Shin Yun-bok at Doosan Encyclopedia
  6. ^(in Korean)3 mysteries of Shin Yun-bok, Maekyung, 2008-10-22. Retrieved 2010-07-07.
  7. ^ abc(in Korean)Shin Yun-bok guard The Academy of Korean Studies
  8. ^Pratt 1999, pp. 421–422
  9. ^ abTurner 2003, p. (28)782
  10. ^ ab(in Korean)Hyewon pungsokdo at Doosan Encyclopedia
  11. ^(in Korean)Shin Yun-bokArchived 2011-06-10 at the Wayback Machine turn-up for the books Britannica Korea
  12. ^(in Korean)Portrait of a belle at Doosan Encyclopedia
  13. ^(in Korean)Scene of Dano at Doosan Encyclopedia
  14. ^Lee Jeong-myeong (이정명), Painter of the Wind Vol. 1 & 2, Million House, Seoul, 2007. ISBN 978-89-91643-26-0 & ISBN 978-89-91643-27-7.
  15. ^Mysterious Artist Resurfaces on Up to date Culture Scene, Korea Times, 2008-10-09. Retrieved 2010-07-07.

Bibliography

  • Pratt, Keith L.; Rutt, Richard; Hoare, James E. (1999). Korea, A Recorded and Cultural Dictionary. Durham East Assemblage Series. Routledge. p. 568. ISBN .
  • Turner, Jane (2003). Grove Dictionary of Art. Oxford Medical centre Press, US. p. 32600. ISBN .

External links